FICHIER GUITAR PRO v4.00n!!d d 0 0YYDD          ÿÿÿÿ                ÿÿÿÿ                ÿÿÿÿ       V cIntroÿ Verse 1ÿ Chorusÿ Pre-chorusÿ Chorusÿ BridgeÿÿGuitar (Brad Delson)?:61,%ÿÿÿÿ€Bass (Phoenix)*% (ÿÿSampler (Joseph Hahn)@;72-(ÿPiano (Mike Shinoda)@;72-&ÿSampler 3 (Low strings)+&!( ÿÿ Sampler 4@;72-( ÿ&Drums and sampler(Rob Bourdon and Joe) WÿLyrics (Chester)@;72-(ÿÿBackvocals (Mike Shinoda)@;72-(ÿÿ@þ@@þP^ÿÿÿÿÿÿÿÿÿ@fÿÿÿÿÿÿÿÿÿ@(ÿÿÿÿÿÿÿÿÿÿ@ @ @ @ @ @ @ @@@@@@@@@@@@@@  @  @  @þ@þ@ @@@@@@@@@@@@@ @ @ @ @ @ @ @ Pþÿ ÿÿÿÿÿÿÿÿÿþ þÿ ÿÿÿÿÿÿÿÿÿ@(@ÿÿÿÿÿÿÿÿÿÿ * # $ ,@@ ,4   *  , ,4   ,4 *  @@@@@@@@@@@@ @ @ @ @ @  @  @  Pþÿÿÿÿÿÿÿÿÿÿþ þÿÿÿÿÿÿÿÿÿÿ@(@ÿÿÿÿÿÿÿÿÿÿ *4# ,@@ ,4   P4 *P4 *P4 *  ,4   @@@@@@@@@@@@ @ @ @ @ @ @  @ Pþÿ ÿÿÿÿÿÿÿÿÿþ@ þÿ ÿÿÿÿÿÿÿÿÿ@( @ÿÿÿÿÿÿÿÿÿÿ *4# ,@@ ,4   *  , ,4   ,4 *4   @@Distortion: Fade Inÿÿÿÿÿÿÿÿ ((ÿÿÿÿÿÿÿÿÿÿ  ÿÿÿÿÿÿÿÿÿÿ  ÿÿÿÿÿÿÿÿÿÿ  ÿ ÿÿÿÿÿÿÿÿÿ  ÿ ÿÿÿÿÿÿÿÿÿ  ÿÿÿÿÿÿÿÿÿÿ  ÿÿÿÿÿÿÿÿÿÿ  @@ @ @ @ @ @  @  @  Pþÿÿÿÿÿÿÿÿÿÿþ þÿÿÿÿÿÿÿÿÿÿ@(@ÿÿÿÿÿÿÿÿÿÿ *4# , *  ,4    * * * @@@@@@þ   þ @ @ @ @ @ @ @ @  ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@ ÿÿÿÿÿÿÿÿÿR 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *@@þ   þ @ @ @ @ @ @  @  @   ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@þ . $ * . . ( . * . $ . . * . $ . . ( * $ . *@@þ   þ @ @ @ @ @ @ @  @  ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@ÿR 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *@@þ    ÿ  @ @ @ @ @ @  @  @   ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@  . $ * . . ( . * . $ . . * . $ . . (@@@þþ @ @ @ @ @ @ @ @ þThe verse is 98% correcth  4@þþY ÿÿÿÿÿÿÿÿÿP   Drums with sampled drumsr 1 F , $p   *p  F |   ,  %p  F ,p   2 F * $0  ,0 F 0  *2 F * $0  < F *  %0  ,0 F 0   D! I'm tired of being what you want@ 4      @@þþ @þh  4@þÿP  ÿP  2 F , $0  *0 F <  ,  %0 F ,0  2 F  $0  0 F *2  * $2 F * $0  < F ,  %0  0 F *0   me to be      @@@@þþ@ @þT  4@þþX   2 F , $0  *0 F <  ,  %0 F ,0  2 F * $0  ,0 F 0  *2 F * $0  < F *  %0  ,0 F 0  Feeling so faithless       4@@þþ @þh  4@þþX   2 F , $0  *0 F <  ,  %0 F ,0  2 F  $0  0 F *2  * $2 F * $0  < F ,  %0  0 F *0  Lost under the surface        @@þþ @þh  4@þþY ÿÿÿÿÿÿÿÿÿP   2 F , $0  *0 F <  ,  %0 F ,0  2 F * $0  ,0 F 0  *2 F * $0  < F *  %0  ,0 F 0  D#"I don't know what you're expecting@      @@þþ @þh  4@þÿP  ÿP  2 F , $0  *0 F <  ,  %0 F ,0  2 F  $0  0 F *2  * $2 F * $0  < F ,  %0  0 F *0  of me      @ @@þþ@ @þT  4@þþX   2 F , $0  *0 F <  ,  %0 F ,0  2 F * $0  ,0 F 0  *2 F * $0  < F *  %0  ,0 F 0  Put under the pressure        @@þþ @þh  4@þþX   2 F , $0  *0 F <  ,  %0 F ,0  2 F  $0  0 F *2  * $2 F * $0  < F ,  %0  4 F * 4   %$Of walking in your       0  @Clean sound: Natural harmonicÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þþP   v 1 F ,  $p  F *p  F |  F ,  %p  F ,p  F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  %0 F ,0 F 0 F þshoes  P ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (4 (4 ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þ@2 F , $0 F *0 F < F ,  %0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  %0 F 0 F *0 F     D Every step@    ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (  @@@ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þ@2 F , $0 F *0 F < F ,  %0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  %0 F ,0 F 0 F that I take is@ @ @   another  @ @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( ÿ ÿ @þR  4@þ@2 F , $0 F *0 F < F ,  %0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  %0 F 0 F *0 F &%mistake to you@ @ @     @ @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þ@2 F , $0 F *0 F < F ,  %0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  %0 F ,0 F 0 F þ@  P ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (4 (4 Distortion: Fade Inÿÿÿÿÿÿÿÿ ((ÿÿÿÿÿÿÿÿÿÿ  ÿÿÿÿÿÿÿÿÿÿ  ÿÿÿÿÿÿÿÿÿÿ  ÿ ÿÿÿÿÿÿÿÿÿ  ÿ ÿÿÿÿÿÿÿÿÿ  ÿÿÿÿÿÿÿÿÿÿ  ÿÿÿÿÿÿÿÿÿÿ  þ @þJ  4@þ@2 F , $0 F *0 F < F ,  %0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  %0 F 0 F *0 F @ @ @@  ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (  @@@þChorus   þ @Chorus ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@ChorusR 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @  ÿÿÿÿÿÿÿÿÿ @    þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you @ @ @ @ @ @  @@@þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *there@ @ @ Become so@ @ @ @ @ @@    þ    ÿ  @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@  . $ * . . ( . * . $ . . * . $ . . (tired@ @  So much more@ @ @ @  aware@ @  @@@þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *@ @  I'm becoming@ @ @ @ @ @ @    þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *this@ @  All I want@ @ @ @ to@ @  @@@þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *do@ @  Is be more@ @ @ @ like@ @ @    þ       @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@ . $ * . . ( . * . $ . . * . $ . ( ( ( (me@ @  And be less@ @ @ @ like@ @      Clean sound: Natural harmonicÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( þ @þÿÿÿÿÿÿÿÿÿÿX  4@þþY ÿÿÿÿÿÿÿÿÿP   r 1 F , $p  F *p  F |  F ,  (p  F ,p  F r  F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F you@ @ Can't you see that you're@ @ @ @ @ @  @@@ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( þ @þX  4@þÿP  ÿP  2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  smothering me@ @ @ @ @ @ @@@ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( þ@ @þT  4@þþX   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F Holding too tightly@ @ @ @ @   Afraid @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( þ @þX  4@þþX   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  to lose control        @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( þ @þR  4@þþY ÿÿÿÿÿÿÿÿÿP   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F #"'Cause everything that you thought 4      @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( þ @þX  4@þÿP  ÿP  2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  I would be       Has<@ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( þ@ @þT  4@þþX   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F  fallen apart      Right  @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( þ @þh  4@þþX   2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  in front of      you @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þþP   r 1 F , $p  F *p  F |  F ,  (p  F ,p  F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F þ  P ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (4 (4 ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þ@þ2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F      D Every step    ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (  @@@ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þ@þ2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F ! that I take is@ @ @    another @ @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( ( ÿ ÿ @þR  4@þ@þ2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F mistake@ @ @   to  you @ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þ@þ2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F þ  P ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (4 (4 ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þ@þ2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  @DAnd every second     ÿÿÿÿÿÿÿÿÿ(4 (4 (4 (4 (4 (4 (  @@@ÿÿÿÿÿÿÿÿÿ( (  ( ( ( (  ÿ  @þJ  4@þ@þ2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F * $0 F ,0 F 0 F *2 F * $0 F < F *  (0 F ,0 F 0 F I waste@ @ @    Is more than   @ÿÿÿÿÿÿÿÿÿ( (  (       ÿ ÿ @þR  4@þ@þ2 F , $0 F *0 F < F ,  (0 F ,0 F 2 F  $0 F 0 F *2 F * $2 F * $0 F < F ,  (0 F 0 F *0 F  I@ @ can@ @ take@ @ @ @ @ @þChorusÿÿÿÿÿÿÿÿÿ   þ @Chorus ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@ChorusR 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *! I've become so@ @ @ @ @ @ @ @  ÿÿÿÿÿÿÿÿÿ @    þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *numb@ @ I can't feel you @ @ @ @ @ @  @@@þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *there@ @ @ Become so@ @ @ @ @ @@    þ    ÿ  @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@ . $ * . . ( . * . $ . . * . $ . . ( .tired@ @  So much more@ @ @ @  aware@ @  @@@þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * . *@ @  I'm becoming@ @ @ @ @ @ @     þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@ . $ * . . ( . * . $ . . * . $ . . ( * $ . *this@ @  All I want@ @ @ @ to@ @  @@@þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þ@R 1 . $P  *P  .T  . (P  .P  *R  . $P  . . * . $ . . ( * $ . *do@ @  Is be more@ @ @ @ like@ @ @    þ    ÿ  @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þ@R 9 . $ * . . ( . * . $ . .  . / * - ( - + )me@ @  And be less@ @ @ @ like@ @      þBridge   þBridge @Bridge ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þþString Ensemble0 ÿÿÿÿÿÿÿÿÿP  BridgeJ 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   .   you@ @ @@@ And I know@ @ @ þÿÿÿÿÿÿÿÿÿÿP  þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þþP  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   $ .   @ @ @ @@I may@ @ @ @ÿ   ÿ   ÿ ÿ @ ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þþP  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   .   end@ @ up@ @ @ÿ   ÿ   ÿ ÿ @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þþP  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   $ .   failing@ @ @ @ @ @þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @   @   @þþ0 ÿÿÿÿÿÿÿÿÿP  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   .   too@ @ @@@ But I know@ @ @ @þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þþP  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . (   $ .   @ @ @ @ @ @  You were@ @ @þ   þ @ ÿÿÿÿÿÿÿÿÿ@   @   @  @  @þþP  J 9 . $J   J  . N  4( $ 1 . (    . $  $ .    . $   . 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